Music features a great deal in Deadlines. It is another enduring passion embracing rock, folk, blues, jazz, country, soul, sacred, classical and some opera. Many of the tales in the book have a musical soundtrack in my mind. Glenn Miller`s Moonlight Serenade sends me to some wartime airfield more than 10 years before I was even born. Michael McDonald invokes Oxford, Donald Fagen`s The Nightfly and Elvis Costello`s Imperial Bedroom were among the soundtrack for the move to Cornwall, Handel`s Air from the Water Music Suite conjures up sunsets across old airfields on hills like Little Rissington and Binbrook……..
The English writer Aldous Huxley wrote: `After silence, that which comes nearest to expressing the inexpressible is music.`
This is the Deadlines jukebox, reflecting some of the music scattered throughout the book………….
Alain Romans – Quel Temps Fait-Il A Paris (J.Tati`s Les Vacances De M. Hulot) (Ch 3)
Charlie Chaplin leaned forward when he walked. Jacques Tati`s Monsieur Hulot leaned back. Rowan Atkinson has credited Hulot with some of Mr Bean`s mannerisms. `Monsieur Hulot`s Holiday` is one of my favourite films – something new emerges every time you watch it (Ch 3)
Al Stewart – Life and Life Only
Bernard Wrigley – Holes in the Road (Ch 11)
The `Bolton Bullfrog` started off as a folk singer in the 1960s but is also a fine actor and comedian. He has appeared in Phoenix Nights, Emmerdale, Coronation Street, Last of the Summer Wine, Coogan`s Run and many more. He often ended his music gigs with a raucous version of `Nellie the Elephant`.
Bob Dylan – A Hard Rain`s Gonna Fall (Concert for Bangladesh 1971) (Ch 15)
The Christian beach mission group had exuberantly treated us to `Michael Rowed the Boat Ashore` and `Mine eyes have seen the Glory` and were now singing something more unusual, more challenging. The chorus was about the answer vaguely blowin` in the wind. Someone said it was new out of the United States by a folk singer called Bob Dylan. I have stuck with the singer since the mid-60s and enjoy the vast Bootlegs Series which keep on coming. The next selection is out in February 2021 and covers more unreleased tracks from 1970. His album Rough and Rowdy Ways was the Album of the Year for many publications last year.
Bruce Cockburn – Life Short Call Now (see Debrief)
Bruce Cockburn – Lovers in a Dangerous Time
Bruce Springsteen – Jungleland & If I Should Fall Behind (Live in New York July 2000)
The E Street Band in full flight with an elegant and emotional sax solo in Jungleland by Clarence Clemons. If I Should Fall Behind has the band assembled around one microphone in a moving finale. I saw them at Earls Court a few months earlier. Last saw him at the Ethiad Stadium in the rain in 2016. Springsteen continues to deliver at 71, with the critically acclaimed Western Stars album and film released in the past 18 months and Letter to You which came out in October 2020, recorded with the E Street Band in just four days. He has also been doing radio shows, playing music from his own personal collection and musing on the times we live in.
The Caravelles – You don`t have to be a baby to cry (see Ch 13)
Central Band of the Royal Air Force – RAF March Past
Stirring stuff. Add The Dambusters March, Reach for the Sky, 633 Squadron, Battle of Britain and Angels One Five. They were heard a great deal in 2018 – the centenary year of the Royal Air Force.
Derek Blaster Bates – Lift-Off! (see Ch 17)
Donald Fagen – The Nightfly
It is all about an early hours radio dj in the late 1950s and from the album of the same name – Fagen`s first solo LP away from Steely Dan.
Doobie Brothers with Michael McDonald – Keep This Train A Rollin` (Ch 23)
The Doobies were always a favourite before, during and after Michael McDonald
s time with them. McDonald`s voice was first heard on Steely Dan records before he transformed the sound of the Doobie Brothers. His last solo outing was Wide Open, released in 2017.
The Doors – Riders on the Storm (Ch 19 & Debrief)
Dusty Springfield – Son of a Preacher Man (see Debrief)
Edward Elgar – Sospiri (Ch 12)
Fairport Convention – Come All Ye (Ch 25)
The double LP `History of Fairport Convention` was a constant backdrop to my year in Darlington on the print journalism course, along with Santana`s `Caravanserai`.
George Fenton – Theme from `Bergerac` TV series (Ch 10)
Glenn Miller Orchestra – Moonlight Serenade (Ch 5)
The Glenn Miller Story film was always evocative with the backdrop of war and young American men making the most of dance nights before they were called early the next morning for daylight bombing raids over Germany. The disappearance of Glenn Miller on a flight from Bedfordshire to Paris in December 1944 remains a mystery. Was it a fault with the aircraft or were they hit by bombs being jettisoned by returning Allied aircraft high above them?
Gordon Lightfoot – The Wreck of the Edmund Fitzgerald (see Debrief)
The Canadian`s majestic tribute to the 29 crew of the SS Edmund Fitzgerald which sank in a huge storm over Lake Superior in November 1975. Like Wellington Z1110, none of the crew on board were ever recovered.
`The legend lives on from the Chippewa on down, Of the big lake they call ‘gitche gumee’,
Superior, they said, never gives up her dead, When the gales of November come early`
Henry Hall & His Orchestra – Teddy Bears` Picnic (Ch 12)
Dad`s favourite bandleader as a teenager in the 1930s. He tried to make sense of my teenage music but it was a world away from what he grew up with. The late 1960s was a heady time with the BBC`s `Top of the Pops` at the centre of school day discussions. `I bet they don`t even know what they are singing about,` guffawed the Vicar of Filey as the Rolling Stones scampered through `Honky Tonk Women`. Hmm, I thought….. Parents queried what sort of name for a band was `Pink Floyd` (drawn from the names of two old blues singers actually) and, although they liked the bit of Bach in Procol Harum`s `A Whiter Shade of Pale`, what was all that about sixteen vestal virgins heading for the coast?
My parents were never quite sure what to make of this new music although Dad tried hard. He liked the Simon and Garfunkel song `Cecilia` from the `Bridge over Troubled Water` album but why, oh why, did they have to have the verse about `making love in the afternoon, upstairs in my bedroom, I get up to wash my face, when I come back to bed someone`s taken my place`. Turned out nice again, Vicar.
Jimi Hendrix – In from the Storm (Ch 23)
Johnny Mandel – Theme from M.A.S.H (tv series instrumental) (Ch 20)
Kate Bush – James and The Cold Gun (live 1979) (Ch 25)
Kenneth Horne & Richard Murdoch – Much-Binding-in-the-Marsh (Ch 17)
Latin Quarter – Radio Africa (Ch 25)
Leonard Cohen – Stories of the Street (see Debrief)
`I know you’ve heard it’s over now and war must surely come,
The cities they are broke in half and the middle men are gone.
But let me ask you one more time, O children of the dusk,
All these hunters who are shrieking now oh do they speak for us?`
Written in the mid-1960s. In 2020, the cities are broke in half and the extremists seem to dominate. And the shriekers claim to speak for us all. Leonard Cohen died in November 2016 aged 82. His last three albums (Old Ideas, Popular Problems and You Want It Darker) were extraordinary. Another one has been released posthumously, called Thanks for the Dance.
Loreena McKennitt/Lord Tennyson – The Lady of Shalott (Ch 22)
Lynryd Skynrd – Freebird (live Knebworth 1976) (Ch 15)
Marvin Gaye – What`s Going On (see Debrief)
Michael Chapman – Postcards of Scarborough (see Debrief)
Michael Flanders & Donald Swann – Song of the Weather (Ch 25)
Michael McDonald & Kathy Mattea – Among the Missing